\version "2.10.16"
#(set-global-staff-size 17)
\include "english.ly"

\header {
	title = "Christ is made the sure foundation"
	subtitle = "Urbs Beata Jerusalem"
	poet = "trans. J.M.Neale (1818–1866)"
	composer = "H.Purcell (1659–1695)"
	arranger = "arr. E.Hawkins (1802–1868)"
	piece = "Westminster Abbey 87 87 87"
	copyright = "Typeset 2007 by Matthew Collett for the Auckland Catholic Music Schola—www.schola.org.nz"
}
\layout {
	indent = 0.0\cm
    \context { \Score \override BarNumber #'padding = #2 }
}
signature = {
	\key g \major
	\time 3/4
}
sopMusic =  << \relative {
	b'2 d4 b2 g4 c2 a4 fs2 d4 |
	g2 a4 b4.( a8) g4 fs4 e2 d2. |
	fs2 a4 fs2 d4 g2 a4 b2 g4 |
	c2 b4 a4.( b8) g4 fs fs2 e2. | \break
	gs2 gs4 a2 a4 fs2 fs4 g2 g4 |
	e2 e4 fs2 g4 g2 fs4 g2. \bar "|." 
} >>
altoMusic = << \relative {
	g'2 a4 g2 g4 g2 e4 d2 d4 |
	d2 fs4 g4.( fs8) e4 a,8( d8) d4( cs4) d2. |
	d2 e4 d2 d4 d4.( e8) fs4 g2 g4 |
	g2 fs4 e2 ds8( e) fs4 e( ds) e2. |
	e2 e4 e2 e4 d2 d4 d2 d4 |
	c2 c4 d2 d8( e) fs8( e d4) d d2. 
} >>
tenorMusic = << \relative {
	d2 d4 d2 b4 g2 c4 a2 fs4 |
	g2 c4 b2 cs4 d4 a2 fs2. |
	a2 a4 a2 fs8( a8) d2 c4 b2 b4 |
	g4.( a8) b4 c2 g4 c4 fs,4.( b8) g2. |
	b2 b4 a2 a4 a2 a4 g2 g4 |
	g2 a4 a2 b4 a2 a4 b2.
} >>
bassMusic = << \relative {
	g2 fs4 g2 g8( fs) e2 c4 d2 d8( c) |
	b2 a4 g2 e'4 fs8( g) a2 d,2. |
	d2 cs4 d2 d8( c!) b2 a4 g2 g'4 |
	e2 d4 c2 b4 a4 b2 e2. |
	e2 d4 cs2 cs4 d2 c!4 b2 b4 |
	c2 a4 d2 g,4 d'2 d4 g,2.
} >>
verseOne = \lyricmode { \set stanza = "1."
	Christ is made the sure foun -- da -- tion,
	Christ the head and cor -- ner -- stone,
	cho -- sen of the Lord, and pre -- cious,
	bind -- ing all the Church in one;
	ho -- ly Si -- on's help for e -- ver,
	and her con -- fi -- dence a -- lone.
}
verseTwo = \lyricmode { \set stanza = "2."
	All that de -- di -- ca -- ted ci -- ty,
	dear -- ly loved of God on high,
	in ex -- ul -- tant ju -- bi -- la -- tion
	pours per -- pe -- tual me -- lo -- dy;
	God the One in Three a -- dor -- ing
	in glad hymns e -- ter -- nal -- ly.
}
verseThree = \lyricmode { \set stanza = "3."
	To this tem -- ple, where we call thee,
	come, O Lord of Hosts, to -- day;
	with thy wont -- ed lov -- ing- -- kind -- ness
	hear thy ser -- vants as they pray,
	and thy full -- est be -- ne -- dic -- tion
	shed with -- in its walls al -- way.
}
verseFour = \lyricmode { \set stanza = "4."
	Here vouch -- safe to all thy ser -- vants
	what they ask of thee to gain;
	what they gain from thee for -- e -- ver
	with the bles -- sèd to re -- tain,
	and here -- af -- ter in thy glo -- ry
	e -- ver -- more with thee to reign.
}
verseFive = \lyricmode { \set stanza = "5."
	Laud and ho -- nour to the Fa -- ther,
	laud and ho -- nour to the Son,
	laud and ho -- nour to the Spi -- rit,
	e -- ver Three, and e -- ver One,
	con -- sub -- stan -- tial, co- -- e -- ter -- nal,
	while un -- end -- ing a -- ges run.
}

\score { <<
	\new ChoirStaff <<
		\new Staff << \clef treble \signature  
			\new Voice = "sopranos" { \voiceOne \sopMusic }
			\new Voice = "altos" { \voiceTwo \altoMusic }
		>>
		\new Lyrics \lyricsto "sopranos" { \verseOne }
		\new Lyrics \lyricsto "sopranos" { \verseTwo }
		\new Lyrics \lyricsto "sopranos" { \verseThree }
		\new Lyrics \lyricsto "sopranos" { \verseFour }
		\new Lyrics \lyricsto "sopranos" { \verseFive }
		\new Staff << \clef bass \signature 
			\new Voice = "tenors" { \voiceOne \tenorMusic }
			\new Voice = "basses" { \voiceTwo \bassMusic }
		>>
 	 >>
>> }